Compared to a broader spectrum of global theatrical history, the evolution of theater and modern dramatic literature in Iran is a relatively recent phenomenon, spanning less than two centuries. As Mid...

Pardeh Khani is a distinctive form of traditional storytelling in Iran that is recognized for its unique performative qualities. This performance method combines storytelling, painting, and acting, wh...

The protagonists in Bahram Beyzai’s Chahar Sandough and Saadallah Wannous’s Al-Malek Hova Al-Malek play critical roles in the structural framework of their respective dramas. These works vividly refle...

Mirzadeh Eshghi (1894–1924) was an innovative and patriotic Iranian poet. Mirzadeh is noted in the history of Iranian literature for pioneering a literary revolution and creating a new literary style....

From its inception, drama in Iran and Türkiye has not only relied on diegetic methods of narrating, but has also integrated music as an essential component. Following exposure to Western drama through...

Educational theater has been widely used internationally to teach various topics to young students in schools through performance and theater. This study raises a question about this medium: what woul...

Jacob Levi Moreno (1889–1974), an Austrian psychologist and psychiatrist, made significant contributions to his field through innovative therapeutic approaches. By integrating sociological research wi...

Bu çalışmada teatrallik kavramı, medya aracılı iletişim biçimlerinin teatral icra üzerindeki etkisi üzerinden incelenmektedir. Bu doğrultuda öncelikle, teatralliğin tiyatro tarihi boyunca gelişen çokl...

Melike Saba Akım’ın yirminci yüzyıl tiyatrosu bağlamında kaleme aldığı Logostan Kurtulmak: 20. Yüzyıl Dramında Karşı-Anlatı (2022) adlı eseri tiyatroda temsil sorusuna Derrida izleğinde yapısökümcü bi...

Sarah Ruhl’s Stage Kiss (2011) uses theatre as a metaphor for the condition of the contemporary individual, who is perpetually and fruitlessly in pursuit of an authentic self. The main characters, ref...