As Arnold turns from nature (I) to man (II), the empha.sis passes from movement as flux to movement as angst. Angst is the specifically h~man resdessness, corresponding in some sort ...
JOHN WEBSTER AS A MORALIST
This apt and clearly drawn contrast between Elizabethan. and Jacobean drama ought to prevent the student of Webster from 'falling into the error of confusing the sentiments expressed by ...
SUPERFIXES AND INTONATION PATTERNS
The Outline of English Structure which George L. Trager and Henry Lee Smith, Jr., published in 1951 is generalJy known and widely accepted, at least in the United States, as the best availabl...
THE GRAPHEME
A graphemics parallel in every way to phonemics is rendered infeasible by several familiar considerations, such as (i) the partial dependence of graphies on phonemic form, (ii) the fact that ...
THE COMPANIONS OF THE CONQUEROR
Ever since 1066 men have been proud to boast that that their ancestors 'came over with the Conqueror,' and the compilation of lists of the Conqueror's companions is a pastime o...
THE PHOMEMIC INTERPRETATION OF THE OLD ENGLISH DIPHTHONGS
Before the question of the phonemic interpretation of the OE diphthongs comes the question of the phonetic interpretation of the digraphs traditionally regarded as representing "...
CHARLES F. HOCKETT. A Manual of Phonology
Like the other works of its author, this book is lucid, well-informed, and contains no more than a fair share of nonsense. As an example of nonsense may be taken the way in which the author s...
EVALUATIVE ASSERTION ANALYSIS
EVALUATIVE ASSERTION ANALYSIS